Crafting authentic voice /
Romano, Tom.
Crafting authentic voice / Tom Romano. - Portsmouth, NH : Heinemann, c2004. - x, 227 p. : ill. ; 24 cm.
Includes bibliographical references (p. [219]-223) and index.
I: The delight and dilemma of voice -- Antipasto: stopping by woods after a bronchoscopy -- Reasons to read -- Voice lessons -- Email admissions -- Two bands -- II: Qualities of voice -- Antipasto: "Poems" / Gary Gildner -- Qualities of voice -- Information please -- The appeal of narrative -- Perception and surprise -- Surprise for whom? -- Humor, lightness, play -- III: Trust the gush -- Antipasto: Olivia leads the way -- The place of passion -- "Outcast" / Lorie Barnhart -- How voice is lost -- The five-paragraph you-know-what -- Of buts and burrs and bad advice -- Grammatically high-strung -- Whatever it takes: breaking the rules in style -- Mischief, rebellion, attitude -- Many voices -- Imitation -- "It's alive! It's alive! It's alive! -- Wear a mask, unleash a voice -- The generative power of parallel structure -- "Who said that?" / David Schuster -- IV: Crafting authentic voice -- Antipasto: Squirming, fretting, and fraud -- Enter craft -- Making it rougher -- Mind pictures -- Hit dem senses -- What the ear knows -- Linguistic inebriation -- Living leaping words -- Who's got the action? -- Weeding the garden -- Placement and payoff -- Great lengths -- Get your pipe and blow doughnuts: the speed of metaphor -- Ingmar Bergman, Janis Joplin, and Howard Cosell: allusions to extend meaning -- Behold this visage: how speech helps writing -- In the beginning -- And in the end -- Working together -- V: Voice and identity -- Antipasto: Huck, Holden, and Talya -- The moves in one piece -- A small work I have to do -- Utmost essence.
0325005974 (pbk.)
2003018516
English language--Rhetoric.
Exposition (Rhetoric)
PE1429 / .R47 2004
Crafting authentic voice / Tom Romano. - Portsmouth, NH : Heinemann, c2004. - x, 227 p. : ill. ; 24 cm.
Includes bibliographical references (p. [219]-223) and index.
I: The delight and dilemma of voice -- Antipasto: stopping by woods after a bronchoscopy -- Reasons to read -- Voice lessons -- Email admissions -- Two bands -- II: Qualities of voice -- Antipasto: "Poems" / Gary Gildner -- Qualities of voice -- Information please -- The appeal of narrative -- Perception and surprise -- Surprise for whom? -- Humor, lightness, play -- III: Trust the gush -- Antipasto: Olivia leads the way -- The place of passion -- "Outcast" / Lorie Barnhart -- How voice is lost -- The five-paragraph you-know-what -- Of buts and burrs and bad advice -- Grammatically high-strung -- Whatever it takes: breaking the rules in style -- Mischief, rebellion, attitude -- Many voices -- Imitation -- "It's alive! It's alive! It's alive! -- Wear a mask, unleash a voice -- The generative power of parallel structure -- "Who said that?" / David Schuster -- IV: Crafting authentic voice -- Antipasto: Squirming, fretting, and fraud -- Enter craft -- Making it rougher -- Mind pictures -- Hit dem senses -- What the ear knows -- Linguistic inebriation -- Living leaping words -- Who's got the action? -- Weeding the garden -- Placement and payoff -- Great lengths -- Get your pipe and blow doughnuts: the speed of metaphor -- Ingmar Bergman, Janis Joplin, and Howard Cosell: allusions to extend meaning -- Behold this visage: how speech helps writing -- In the beginning -- And in the end -- Working together -- V: Voice and identity -- Antipasto: Huck, Holden, and Talya -- The moves in one piece -- A small work I have to do -- Utmost essence.
0325005974 (pbk.)
2003018516
English language--Rhetoric.
Exposition (Rhetoric)
PE1429 / .R47 2004